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Artist

Lottie Hampson

London-born Lottie Hampson is a photographer and artist who splits her time between the UK and Mallorca. She studied at Central St Martins and Edinburgh College of Art.

Her artistic practice often starts with analogue film photography that spans all formats, with which she photographs the world around her. Using film helps her to slow down, and the images she takes are often a quiet meditation on her surroundings; slowly building a sense of place through observations of light and landscapes, and fragments of the people that inhabit it.

Switching between her many cameras, her practice often involves developing and printing her own photographs, maximising the relationship with her work in a 'satisfying and exciting process'.

Read 'In The Studio With Lottie Hampson' and 'Work In Progress With Lottie Hampson'

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Lottie's Style

Lottie is fascinated by the ever-present connection between people and the landscape surrounding them. These photographs often provide inspiration for further works such as hand-made books, photo-intaglio and cyanotypes. Lottie has exhibited widely in London, Edinburgh and Wales and was the runner up for the Scottish Portrait Award.

Alongside her photography practice, Lottie works in helping facilitate artist residency programmes in various countries.

She says: “My work acts as a visual diary for me, but I hope that they would evoke a sense of calm for a viewer. I like my photos to look timeless, so they can provide a view into a world in which viewers could imagine themselves.”

"I hope these photos build a sense of place through observations of light, landscapes, and fragments of the people and creatures that inhabit them. They are an exploration of time passing; a quiet meditation on the relationship we hold to our encompassing environments." - Lottie Hampson

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November Drop 2024

"This year I have continuously documented still life studies at home on an old Polaroid camera from the 1970s. Playing with process, I transformed the prints into polaroid lifts on watercolour papers; each result an unpredictable outcome and a unique print." — Lottie Hampson, Polaroids

March Drop 2024

“Inspired by Cy Twombly’s dreamlike photographs of fruit and flowers in his painting studio, I recently purchased a Polaroid camera. As a film photographer I am usually left waiting for film to be developed before I can see what my camera has captured. With the polaroid camera there was none of this. The immediacy of using it has been such an exciting process for me. Not knowing how to fully control a new (and yet very old) camera is humbling and exciting, and each photo felt like a surprise waiting to develop. I experimented with my new camera by photographing flowers in my home studio and at Kew gardens. Experiments usually turn out the best because there is less expectation, and I really loved these initial photographs.

So I continued the experimentation; firstly by blowing up the photos to a large scale. The quality of the polaroid’s is so soft, that when blown up, they have a painterly quality, complete with all the ghostly little marks on the photo that occur from a combination of the camera mechanics and the environment that the photo is exposed to whilst developing.

After that I played with emulsion lifts on watercolour paper; a process that involves coaxing the instant prints from their original backings. Like shooting polaroid film, the outcome of each print was a guessing game, each resulting in a delicate unique artwork.” - Lottie Hampson, Angels Trumpet

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